ravaged our SMITH: I like the way that humor exists in our lives, even in the dark and difficult moments. rife with music, rhyme, and repetition. I often find that, after working on several new translations, I am driven to write. According to the cultural theorist Mark Fisher, this mental architecture almost inevitablybarring unusual cultural circumstances or great personal fortitudetakes the form of capitalist realism, which consists in the widespread sense that not only is capitalism the only viable political and economic system, but also that it is now impossible even to imagine a coherent alternative to it (Fishers italics). Wade in the Water (Graywolf Press, 2018) was her fourth taking away our, and altering fundamentally the Forms of our, In every stage of these Oppressions We have Petitioned for He has The author of four books of poems, she received the 2012 Pulitzer Prize in poetry. Capitalism is the enemy and the stakes are high, because one of the only defenses against the degradations of our market-driven culture is to cleave to language that fosters humility, awareness of complexity, commitment to the lives of others and a resistance to the overly easy and the patently false.Embedded in all this is a specific conception of history. Its not quite music, but the construction of these two parallel statements operated in a fashion similar to rhyme for me.WASHINGTON SQUARE: Youve said that writing your memoir Ordinary Light helped you work through your own thinking about race. In 2014 she was awarded the Academy of American Poets fellowship. Similarly, Theatrical Improvisation draws on the voices of immigrants as well as those who targeted them in the months before and after the 2016 Presidential election. The poem, titled Garden of Eden begins with Smith acknowledging a profound longing for her Garden of Eden, or moreover her personal paradise. Her last collection was Tracing the Lines(Brick Road Poetry Press, 2013). Smith: That's the only dream like that that I've had. Because having them suggests a sense of unearned privilege? It would mean giving space to voices that have long been silenced or distorted. I see The United States Welcomes You as another poem fixated upon this topic, though perhaps more obliquely; it seems to be voiced by someone whose aim is not compassionate, though there is space at the end of the poem where what I read as fear or hesitation enters in with the line What if we / Fail? WASHINGTON SQUARE: Was it especially difficult, then, to inhabit the persona in The United States Welcomes You? I claim pension under the general law, argues one appellant; (i shall hav to send this with out a stamp / for I haint money enough to buy a stamp), another says in closing his letter to the President (all italics and spellings original).In an endnote Smith refers to such texts as erasure poems, a somewhat ironic term. She went on to receive her MFA from Columbia University. She joins me now from Princeton University, where she teaches creative writing. Educated at Harvard and Columbia, teaching at Princeton, named the US Poet Laureate in 2017, and already freighted with laurels (her previous book, Life on Mars, won the 2012 Pulitzer), Smith is no undiscovered talent. My thirties. I think the title, which came after Id finished the poem, enlarged the initial scope of the poem. I think the topic has also just come up much more frequently and relentlessly in the years since Trayvon Martins murder.WASHINGTON SQUARE: Another subject you grapple with in Ordinary Light is belief in God. I was blown away by how it seemed to capture the mood of our historical moment. Her term will be up in April of 2019. Duende is a book that grapples with what it means to me to be an American. Poet Laureate Tracy K. Smith (1972-), listen to her read it here. She studied at Harvard University, where she joined the Dark Room Collective, a reading series for writers of color, created by Sharan Strange in 1988. Whatwhat on earthconstitutes a meaningful life in a market society?Markets shape mindsets. This is a poem thats kind of looking back toward the moment when we might have known but didnt care. WebGarden of Eden By Tracy K. Smith What a profound longing I feel, just this very instant, For the Garden of Eden On Montague Street Where I seldom shopped, Usually only after therapy Elbow sore at the crook From a handbasket filled To capacity. The couplet looped in my head for weeks, and when I finally resorted to Google, I learned it was from Smiths first collection, The Bodys Question.I borrowed her books from the library and found them full of lines like the ones that had hooked me. But translating is a different thing altogether. Curtis Fox: And what about the desolate luxury? I suppose those two choices speak to some of the overarching themes I consciously wanted the book to cleave to.WASHINGTON SQUARE: This last comment makes me wonder about your process assembling a book. After all, it supposedly makes nothing happen, according to Auden (indeed, imagine a poem changing President Trumps mind on immigration), and it is the literary form for which capitalism has the least use, judging by its small contemporary readership.But poetry that tries to represent individual subjectivity is well positioned to depict life under capitalism and to render possible post- or anti-capitalist alternatives. Everyone hunkers down alone with their stuff, just as capitalism wants it.Two vicious features of the system, which Im hardly the first to note, are its enforcement of rigid hierarchies (think about the racial pay gap, for example) and its wholesale razing of the biospheric life-support systems that allow civilization to exist in the first place. K Smith. All of these fruits hold positive or affectionate connotations to their names, something she likely wished for after therapy (she earlier states she typically shops here almost exclusively after therapy). I struggle a lot with interpreting metaphorical words often used by poets and underlying meanings behind small phrases. But that isnt enough, and so I am also listening for clues in the sounds of what I have already said that might help me determine what to say next. Im Curtis Fox. As Auden supposedly said in conversation, you cant half-read it. We were then asked to form an opinion on the meaning and significance of the poem. Tracy K. Smith has her head in the stars. WebTracy K. Smith was born in Falmouth, Massachusetts, in 1972, and raised in Fairfield, California. Its a dire poem, tinged with hope, that out of the destruction of our century something new and fresh might reemerge. SMITH: I wanted to open the book by invoking a sense of the eternal, to start with a nod to that scale. It feels like an empires end: The known sun setting / On the dawning century, as the last two lines go. Tracy K. Smith, "Declaration" from Wade in the Water. You know, popular myths that we cleave to as Americans, and there are a lot of poems in this book that have titles that are biblical. She's also the author of a memoir, Ordinary Light, which was a finalist for the National Book Award for Nonfiction. Looking back, do you have a sense of your writerly evolution across your books? 4 (September 2018), Emily Jungmin Yoon, Maya Marshall, RHINO Reviews Vol. Curtis Fox: Now, if the Trump presidency has told us anything, its that racism is alive and well in America. There is deep unease in those lines that Ive been puzzling over, and why would somebody be ashamed of innocence and privacy? Curtis Fox: That was An Old Story. Im talking about the many products, services, networks, trends, apps, tools, toys, as well as the drugs and devices for remedying their effects that are pitched to us nonstop: in our browser sidebars, in the pages of print media, embedded in movies and TV shows, on airplanes, in taxis and trains and even toilet stalls. But I truly hope its more than that. And I guess in some ways thats a scary place to be. SMITH: The books have a lot in common. Would you read it for us? Over her career, she has published a memoir and four books of poetry, including The pedestrian sees himself one way hears his own music in those engines idling for him but who doesnt? RHINO Poetry is supported in part by the Illinois Arts Council, a state agency, Poets &Writers, Inc, The Poetry Foundation, and by The MacArthur Funds for Arts and Culture at The Richard H. Driehaus Foundation. Email us at [emailprotected], or write a review in Apple Podcasts, and please link to this episode on social media. The last lines of the poems final section point this up with staggering intensity: My full name is Dick Lewis Barnett.I am the applicant for pensionon account of having servedunder the name Lewis Smithwhich was the name I wore beforethe days of slavery were overMy correct name is Hiram Kirkland.Some persons call me Harry and others call me Henrybut neither is my correct name. I also advise thesis students who are involved in producing book-length collections of poems. sent hither swarms of Officers to harass our people WebTracy K. Smith was born in Massachusetts and raised in northern California. I see it as my job to draw these things out, and offer the kinds of questions and observations that will help students move further into their strengths as writers, and to follow them toward an organic and genuine sense of their own deepening themes and questions. Each one of us is a collaborative condition, The Everlasting Self puts it.Smith isnt a political theorist, psychologist, historian, or polemicist, though her poetry metabolizes elements of those discourses. We have reminded them of the circumstances of our emigration And I love how Wright allows the text of her various speakers to become a kind of chorus. Tracy K. Smith served as U.S. poet laureate from 2017-19 and teaches at Princeton University. It wasnt until I found myself preoccupied with questions of love and faith that I figured out how I wanted to work with the source material of the article. I think it urges the viewer to submit to the terms and values of the subjects rather than cling to any pre-existing sense of what dignity or autonomy ought to look like. Incidentally, the only other poem in the book whose title was chosen well in advance of the poems composition was Eternity. I knew that I wanted to write a poem that invoked a never-ending sense of scale. On Montague Street Among her current projects is Self-Portraits,a chapbook collection of ekphrastic poems focused on women artists. She is a democratic writer, because her project in Wade in the Water is to curate American voices, particularly those of marginalized people, but also her own, and to situate these within the dark sweep of US history, with all its horrors, its anxieties, its potentialities. All Rights Reserved. Tracy K. Smith: Sure. and was pleasantly surprised to stumble upon Tracy. Wade in the Water by Tracy K Smith is published by Penguin (8.99). WebTracy K. Smith was born in Falmouth, Massachusetts, on April 16, 1972, and raised in Fairfield, California. Did writing your memoir indeed open up new space for that? I see humor as one of the things that keeps us alive. The Garden of Eden is a semiautobiographical account based on Hemingways honeymoon with his second wife, Pauline Pfeiffer, in May, 1927, at Le Grau-du-Roi, a fishing village in the Carmargue, on the Mediterranean coast of France. I spent about 2 hours going through this list of poets trying to find someone that I could just understand and was pleasantly surprised to stumble upon Tracy. And as many have observed since capitalism emerged (see William Blakes Satanic mills or Upton Sinclairs meatpacking plants), this tends to have baleful effects on how we conceive of social relationships and our own selves. Analyzes how the first poem in the book sums up the primary focus of the works in its exploration of loss, grieving, and recovery. K Smith. Smith and I corresponded by email about writing, reading, teaching, and her latest collection.WASHINGTON SQUARE: To start, I loved your new collection Wade in the Water. I chose the title Watershed even before the poem itself had been written. The United States expanding industrial wealth in the nineteenth century was inseparable from this machine; American capital has always been massed on the backs on nonwhite people.These appellants use the lingo of capitalism, insofar as they are asking for money. The store is called Garden Of Eden, so almost accidentally it aligns itself with those poems that are thinking back to those biblical stories. 1 No. One of the women greeted me.I love you, she said. What is it that I could do in this role that would be different and useful. And whats really exciting is its not a matter of me teaching people about these poems, its really a matter of us listening to each others responses, questions, associations. NCTE, Common Core, & National Core Arts Standards. This seems like a really relatable poem; I can relate to you in that it's hard to be satisfied with our lives and that as we've gotten older it's become easier to accept that (knowing that it's ok in your words). Tracy K. Smith: Mhmm, yeah. What are you really getting at there? My found poems behave differently, but those possibilities were somewhere in my mind as I worked. It was Brooklyn. Dang, you hear those birds? SMITH: I think the aim of most poems is to erase some measure of the distance between one person and another, usually between the poems speaker and its reader, or between the poems speaker and its subject. But if I do my job correctly, they slip away from that transparency and become something more than Id initially thought I was after. 4 (September 2018), RHINO Reviews Vol. Pessimism hobbles anyone who is paying attention. I also agree. I found two books that really had a powerful impact upon me: Voices of Emancipation: Understanding Slavery, the Civil War, and Reconstruction through the U.S. Pension Bureau Files, edited by Elizabeth A. Regosin and Donald R. Shaffer; and Families and Freedom: A Documentary History of African-American Kinship in the Civil War Era, edited by Ira Berlin and Leslie S. Rowland. It was so strange. Copyright 2008 - 2023 . The analysis was to consist of identifying poetic devices and explaining how and why Tracy K. Smith used them. Tracy K. Smith: Right. Why are we allowing industrialized transactional regimes that make us miserable to cook the planet alive? Did that effect the way that you thought about what you were going to do as Poet Laureate? Her latest book is Cast Away, from Greenwillow Books. WebTracy K. Smith is a Susan S. and Kenneth L. Wallach Professor at Harvard Radcliffe Institute and a professor of English and of African and African American Studies in the Harvard Faculty of Arts and Sciences. Its been something I will be sad to cease doing, and I feel incredibly lucky to have been able to go out across the country at this time in particular. The Garden of Eden is a semiautobiographical account based on Hemingways honeymoon with his second wife, Pauline Pfeiffer, in May, 1927, at Le Grau So I had to kind of really think about it, before saying yes. This week, Retelling the American Story. But those things came out in this poem. Pomegranate, persimmon, quince! Something flickers, not fleeing your face. SMITH: Writing Ordinary Light helped me break my own silence about how race has shaped me. The glossy Attention to the stranger crossing any road in any town or city; patience with the awkward encounter, the unknown intention; respect for the other whom you do not know, but with a slightest stretch of mind, imagine you do. Actually, the first poem in Wade in the Water, its called Garden of Eden and it is shockingly about shopping, in a sense. Tracy K. Smith begins her poem The Good Life with a subordinate clause: Whenpeople talk (Line 1). The first line introduces the readers to both the casual toneof the poem and draws them in to the discussion with which the poem is concerned, prompting them to read the next line in order to answer the question implicitly posed in the first. I'd lug Inspired by a photograph taken during a Black Lives Matter protest after city police killed Alton Sterling, a black man, the poem imagines a confrontation between state power and another African American body. As a subscriber, you have 10 gift articles to give each month. In this manner, they accumulate tools that can be put to use upon their own material. One of the closing lines is an eerie warning: its global. The worlds first great carbon empire, the United States, is committing suicide, but at least some people are getting richer.The books center is I Will Tell You the Truth About This, I Will Tell You All About It. This long poem, divided into sections based on different voices, consists of material Smith culled from the letters of black Civil War veterans and their wives, children, siblings, and widows, many of whom wrote to President Lincoln asking for financial assistance, in many cases pay that was owed them. And maybe thats me speaking as someone in mid life, someone whos the parent of kids and has fears about the future. Curtis Fox: Now you hinted at it, but its an erasure poem. Its also the title of a poem in the books first section, and it reverberates in images of water throughout the collectionin the poems Watershed and The Everlasting Self, for example. For Poetry Off The Shelf, Im Curtis Fox. Can you tell us a little bit about this poem before you read it? If we laugh at it, it has less power over us. Smith is published by Penguin ( 8.99 ) to her read it been silenced or distorted which was finalist. Head in the dark and difficult moments even in the dark and difficult moments whos parent! Incidentally, the only dream like that that I 've had lot with interpreting words! Lot with interpreting metaphorical words often used by Poets and underlying meanings small! Massachusetts, in 1972, and why would somebody be ashamed of innocence and privacy email at! It especially difficult, then, to start with a nod to that scale Fox: and what the! Invoked a never-ending sense of unearned privilege own material the planet alive were somewhere my... 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